We had a wide-ranging discussion and touched on almost all of his work at least a little. Quick notes:
- Some criticism of his "London Trilogy", particularly "Kraken". Discussion of the "everything in the kitchen sink" style of weird fiction, and comparison to Neil Gaiman's work.
- Lots on escapism, allegory, and fiction that tries to discomfort the reader, with some Tolkien digressions.
- The Weird, how horror elements influence his work, uncanny vs. abcanny, and what Miéville has said about that in articles like "M.R. James and the Quantum Vampire".
- Worldbuilding and the ability to convincingly play out a preposterous setting.
- The "civilization on rails" of "Iron Council" and some relatives:
- Priest's "Inverted World"
- Joon-ho's "Snowpiercer"
- Rail-cities on Mercury in Robinson's "2312", Stross's "Saturn's Children", and elsewhere.
- "Deflationary" or "anti-" fantasy variants and their effects.
- The Weird/New Weird's relationship to Magical Realism, citing for instance Cortázar's short work and Esquivel's "Like Water for Chocolate".
- Miéville's love of language, wordplay, puns & neologisms.
- Lots of time spent on "The City and the City", "Embassytown", and the Remade from the Bas-Lag books.
- I'm not sure how these were connected, but I left wanting to read Bachelder's "Bear vs. Shark" and Moers' "The 13 1/2 Lives of Captain Bluebear".
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