SF has been called the literature of ideas, and the ideas explored in SF
have become increasingly philosophical throughout the history of the
genre. What are the most illuminating thought experiments in recent and
classic SF? Which philosophical questions do they raise? And how are
philosophers in today’s universities employing SF in their teaching and
research?
Dyrk Ashton
Dyrk Ashton
Andrea Johnson
Nathan Rockweed
Ken Schrader
Ashton:
Floats the idea that everything post-Hegel is just a footnote.
Johnson: Philosophy as journey,
not destination
Ashton: The only philosophies
that have answers are religions.
Johnson: Brings up SF that deals
with extreme alien-ness as a vein that is particularly
philosophically significant.
Ashton: Floats the idea that
everything post-Hegel is just a footnote.
Johnson: Philosophy as journey,
not destination
Ashton: The only philosophies
that have answers are religions.
Johnson: Brings up SF that deals
with extreme alien-ness as a vein that is particularly
philosophically significant.
Schrader: SF also noted for
dealing with big basic questions like “what does it mean to be
human” or “what is reality”.
Rockweed: Brings up teaching
Camus' The Stranger
to
12th graders and how they engage with big existential questions for
the first time.
Johnson: How will uploading minds change how we think about
thinking & reality?
Ashton:
Lots of this kind of question in Dick's work, Do
Androids Dream of Electric Sheep
for
example.
Rockweed: Augmented reality (even just augmented by carrying
smartphones) as an unexpectedly smooth transition to virtual reality.
Ashton:
Talks about his chapter in Investigating Alias
and
different models of time, contrasting Hegel with Bergson/Deleuze.
Johnson:
Brings up Simak's Ogre,
with its vegetable intelligence, as an example of different mind
presentation.
Schrader:
The Matrix
as
the big one, “reality is nothing more than an MMO”, how to think
about whether interactions are real or not when virtually mediated.
Rockweed:
Brings up Leckie's Ancillary
books
and how the AI viewpoint character brings up lots of philosophical
questions, the use of language to critique gender assumptions.
Ashton: Derridean power of language, language as a colonizing
force.
Johnson:
Examples in SF of how different languages change what can work;
prefers/recommends Lee's Machineries of Empire
for
some similar explorations.
Open question of examples of SF engaging with philosophical ideas:
Ashton:
Cixin's Three Body Problem,
Stephenson's Anathem;
there's a lot of stuff going on in Tolkien but hard to pin down what
exactly his stances are.
Johnson:
Watts' Blindsight,
all of Watts work really, Delany's Babel-17,
all of PKD's work.
Rockweed:
Pratchett's work “making me think hard about things”, the kind of
gender-work being done in Atwood's The Handmaid's
Tale and
even Brown's Red Rising.
Schrader:
Lafferty's Six Wakes,
Cline's Ready Player One
for
those virtual/real questions. Also brings up Star Trek transporter
identity questions.
Johnson:
Brin's Existence
touches
on a lot of these; also references Steinmetz's The
Uploaded.
Rockweed:
Also Zelazny's Islands of the Damned.
Ashton:
Genre writing's ability to push at ethics boundaries, as in Grimdark.
References Anna Smith Sparks, Anna Stevens, Martin & Abercrombie,
and Lawrence's Prince of Thieves.
It's easy to read these wrong, as glorifications rather than
critiques.
Johnson:
In talking about life & identity questions, have to talk about
robots & AI. Recommends Chiang's The
Lifecycle of Software Objects.
Rockweed:
Lauds the Mass Effect
games
for their investigation of these issues, particularly the geth and
created consciouness. Looks forward to being able to teach these
games somehow in the classroom.
Schrader:
On the topic of games, brings up ethics choices in things like Black
and White.
Rockweed: Wonders about genre fiction in upholding simplistic
good/evil morality, Dark/Light side of the Force for instance.
Schrader: “Only the Sith deal in absolutes”.
Rockweed: Examples of more complicated breakdowns?
None immediately posed.
Audience question-that's-a-comment: actually all philosophy is a
footnote since Plato.
Audience
question that somehow leads us into quantum superposition discussion,
Ashton mentions the way ancient Hindu etc. philosophies match up with
modern quantum mechanics. We get into some questionable
interpretations of the observer paradox, and in general sounding a
bit like Capra's The Tao of Physics
or
Zukav's The Dancing Wu Li Masters.
Schrader: Philosophy focii are also cyclicalm things come back
to the forefront of societal attention periodically. For instance,
our current zombie fascination. Raise questions of individuality,
also focuses on monstrousness of “survival over everything”
mentality.
Ashton: Zombies just the Nietschean scorpion that kills the
frog.
Johnson:
Brings up Sawyer's Quantum Night
for
grappling with some of these issues.
Audience
question about grimdark, things like The
Handmaid's Tale,
the trend towards showing what happens to people in disaster/survival
situations.
Panel first brings up salability as main factor in these kinds of
trends.
Rockweed: It's a basic kind of fantasy to imagine survival in
the face of danger, but we also need to see more portrayals of how
extreme situations bring out the best (rather than worst) aspects of
people, which seems to be at least as realistic.
Johnson: There's also the fact of “grimdark asshole
burnout”, there's only so much of that you can take before you want
different stories.
Audience comment: Goodness itself being punished by the constructed
narrative is problematic.
Audience
question: Is the relationship in Blade Runner
2049 (between
a replicant and a virtual girlfriend) real?
Johnson: No, or rather it's one-way...
And
we're out of time.
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