Tuesday, October 25, 2016

Think Galactic- My Soul to Keep

For the October meeting of Think Galactic, we discussed "My Soul to Keep" (1997) by Tananarive Due.

The novel is pitched as a vampire story (though we had some debate about that), and reads as kind of a thriller/relationship drama. Discussion points and possible spoilers below!

Thursday, August 25, 2016

Megatext 2: Octavia Butler

Megatext 2: Octavia Butler
Thursday, August 25th, 7pm
Open Books, 651 W. Lake St.
(Facebook Event Page)

For our second Megatext discussion, we're going to be talking about Octavia E. Butler (1946-2008), who's had a powerful impact on the genre. This discussion is being supported by Open Books, who are hosting, and by Think Galactic.

The idea behind the "Megatext" book club is that we talk about an author as a whole, rather than one specific book. Feel free to come if you've read everything Butler's written, if you've only read one book, or if you're just interested!

photo via Joshua Trujillo

Saturday, April 4, 2015

Weird & Wonderful: Kindred

Much-delayed meeting notes! The last convocation of City Lit Books' "Weird & Wonderful" reading group discussed Octavia Butler's "Kindred" (1979), now considered a classic--probably why the Classic SF Meetup discussed it a while back.


In the novel, a modern black woman is mysteriously transported back to the early 19th century to save a drowning boy, who she later deduces is her ancestor. Dana is then transported back and forth several times--called back to save Rufus Weylin whenever his life is in danger, and sent forward to her own time whenever her life is in peril.

"Kindred" is almost certainly Butler's most-discussed work (I first ran into it in an undergrad lit class SO LONG AGO), which is interesting given how "non-genre" this reads. Unlike Butler's other works, which are clearly "genre" (aliens, vampires, post-apocalypse, etc.), "Kindred" purposefully downplays its one weird element--the time travel--allowing it read more as a mainstream, literary novel. At group we talked about shelving and genre decisions, how that affects how people read; I'm vastly amused to imagine slow, passive-aggressive category debates carried out by furtive re-shelvers.

Other things we discussed in relation to the novel: